Thank you for taking the time to express your thoughts. All those forgotten images and impressions in our minds, now unfolding before our eyes! The last line in stanzas 4-7 are about the fairy woman. It is important to point out the traditional form of this poem: Keats wrote this in the style of a ballad, an outdated form of poetry that capitalizes on simple language and imagery to bring across its story. The latest dream I ever dream'd On the cold hill's side. He himself is in a decline; he is pale and the rose in his cheeks, like the sedge, is withering. And this is why I sojourn here, Alone and palely loitering, Though the sedge is withered from the lake, And no birds sing. On the board, write down the kind of foot that belongs in each blank space.
In this perspective, the fragrant zone may refer to her female parts which poet loved and kissed. When he set her on his horse, she led him to her cave. The depth of passion which it expresses, or rather implies, the intense lyrical feeling, the exquisite art by which every detail of the weird landscape contributes to the general effect of mystery and of desolation, produce together an effect unequaled in the poetry of romance. O what can ail thee, wretched wight, Alone and palely loitering? The knight is totally devastated by the disappearance of the fairy. We know very little about the lady, only what the knight tells us; we are offered no interpretation of his experience; indeed, the knight's story opens up more questions than it answers.
This is an excellent take on the poem sir. The knight then woke up alone, finding himself abandoned by the fairy lady. Some questions are answered when the knight mentions that the lady then took him to her elfin grot, and the reader realizes that the lady is an actual fairy, a supernatural being that the knight has fallen in love with. So haggard and so woe-begone? I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. Council of Trustees of the National Gallery of Victoria. Ten thousand light-years from home. The start is about the anonymous who talks about the knight.
. Later on in the poem, the knight starts telling his own story about a lady he met and his dream of Princes, Warriors and Kings who remembered the beautiful lady. What is there in his description that makes the lady sound dangerous? She'd got just that sort of calamitous magic that plays the deuce with things - a kind of Belle Dame sans Merci. I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. The knight forgets all about his duties as a knight and spends his entire day in the company of this fairy lady.
Then, recognising that the power and stability of the patriarchal world depends on the rejection of this, urge to withdraw, the kings, warriors, and princes have placed the blame squarely upon the woman, defined her as the temptress who has the knight in thrall. The knight-at-arms in the dream sees one of the most terrifying dreams on the hillside. When given the choice, Keats chooses to be human. That year he would also fall in love with Fanny Brawne and by the spring of 1819 would embark on what was to become one of the most important sequences of odes in our literature, all written in a single year. These two symbols also refer to a time of loneliness, coldness and grief. In trying to explain his state to his questioner, he makes us highly suspicious of the lady whom he encountered. Keats breaks with this tradition making the fourth line shorter, giving it only two stresses and mostly only four syllables.
It could be taken literally, as in a horse that one rides, or it could be interpreted as an innuendo. I see a lily on thy brow With anguish moist and fever dew, And on thy cheeks a fading rose Fast withereth too. As we read on, we come to find out that this is a passer-by. I The first and second stanzas contain anxiety and uncertainty of the first speaker and foreshadow the pain and trouble that will come to the second… 1326 Words 6 Pages John Keats is a spell binding poet, who lived a short life of 25 years, but left behind a towering legacy in the Romantic period. He had a great love for nature, which was always included in his poetry in some way. Most of were written in 1819, shortly after he met the love of his life, Fanny Brawne, and contracted a mortal disease.
In La Belle Dame Sans Merci the Medieval revival reaches its culmination. Dean, Sonia; Ryan, Judith, eds. This shows his understanding that in love there is despair. Martin Earl lives in Coimbra, in central Portugal. The film includes a similar theme of entrapment by a seemingly beautiful loving woman.
There are often two ways of seeing this scene, as the knight quickly learns. His mother had died of tuberculosis when he was 14; his brother, whom Keats nursed through his final months, died of the same disease in 1818. The Beldam in Neil Gaiman's 2002 horror-fantasy novel references the mysterious woman who is also known as Belle Dame. As we read the poem it becomes clear that the knight had his feelings shattered by this woman on his steed. Other than the constant creation of suspense and the thick aura of mystery which drapes the ballad and its characters, Keats has also used other figures of speech to further intensify the exquisiteness of his poems.
Such a reading would focus less on her actual identity, which we can know little about anyway, and more on the patriarchal order which defines and interprets her identity. I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made sweet moan. The poet used a single rhyme in each stanza, so that the second and the fourth lines rhyme. La Belle is definitely one of those poems. The poem shows Keats's curious power of entering into the thought and sentiment of the middle Ages. We know nothing about the speaker who interrogates and describes the knight. He had a great love for nature, which was always included in his poetry in some way.
The speaker is recounting his experience with the knight to his audience. She took me to her elfin grot, And there she wept and sighed full sore, And there I shut her wild wild eyes With kisses four. The poem has 12 stanzas with 4 lines each. I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A faery's song. I made a garland for her head, And bracelets too, and fragrant zone; She look'd at me as she did love, And made sweet moan. Wandering in this barren landscape, he is neither in the masculine world of strife and action nor the feminine world of the bower.